Beams: Thin Air
Martyn White Martyn White

Beams: Thin Air

This large-scale temporary exhibition in east London explores the hidden complexities that shape our world with digital technology and impressive, immersive installations.

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White Cube Gallery - TARWUK: ‘Posadila sam kost u zimskom vrtu’
Martyn White Martyn White

White Cube Gallery - TARWUK: ‘Posadila sam kost u zimskom vrtu’

White Cube Gallery Mason’s Yard presents the first UK exhibition by artist duo TARWUK titled ‘Posadila sam kost u zimskom vrtu’. TARWUK, made up of Bruno Pogačnik Tremow and Ivana Vukšić, works as a single entity, creating an installation comprising a new group of sculptures, paintings and works on paper.

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Fondazione Prada - ‘Synchro System’,Carsten Höller

Fondazione Prada - ‘Synchro System’,Carsten Höller

Among the most interesting artists on the international scene, beginning in the 1990s Carsten Höller (Brussels, 1961) helped bring artistic production closer to reality, stirring up unusual and surprising reactions in those who view his artworks. Höller’s work is aimed at individuating new possibilities for perceiving existence through a method of rigorous investigation similar to scientific research.

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Anish Kapoor In Venice - La Biennale di Venezia
Martyn White Martyn White

Anish Kapoor In Venice - La Biennale di Venezia

Anish Kapoor is the first British artist to be honoured with a major exhibition at the Gallerie dell’Accademia and Palazzo Manfrin in Venice running alongside the 59th La Biennale di Venezia

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Superblue & BMW i present Rafael Lozano-Hemmer: “Pulse Topology”

Superblue & BMW i present Rafael Lozano-Hemmer: “Pulse Topology”

During the 2022 edition of Design Miami in Basel, Switzerland, Superblue & BMW i present Mexican-Canadian artist Rafael Lozano-Hemmer’s work ‘Pulse Topology’ an interactive piece that changes as it measures participant’s heartbeats.

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Fondazione Prada - “Useless Bodies?”, Elmgreen & Dragset
Art, Art Exhibition, Milan, Milan Design Week, Prada Martyn White Art, Art Exhibition, Milan, Milan Design Week, Prada Martyn White

Fondazione Prada - “Useless Bodies?”, Elmgreen & Dragset

Fondazione Prada presents “Useless Bodies?” an exhibition by the artist duo Elmgreen & Dragset in Milan until 22 August 2022. Spanning more than 3,000 square meters and presented across four gallery spaces and the courtyard, the exhibition is one of the most ambitious thematic investigations realized by Fondazione Prada to date.

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Biennale Arte 2022 - Hungary ‘After Dreams: I Dare to Defy the Damage’

Biennale Arte 2022 - Hungary ‘After Dreams: I Dare to Defy the Damage’

Zsófia Keresztes’ exhibition deals with the stages in one’s search for identity. This concept reaches back to Arthur Schopenhauer’s porcupine dilemma but, moving on from this, it takes as its associative starting point an episode from Antal Szerb’s 1937 novel Journey by Moonlight, used by the artist as a poetic analogy.

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Biennale Arte 2022 - Denmark ‘We Walked the Earth’

Biennale Arte 2022 - Denmark ‘We Walked the Earth’

Step into a hyperrealistic world of unexpected drama. Set in a strange hybrid time period where elements from the historical past of Danish farm life blend with unfamiliar phenomena from the sci-fi future of a trans-human world, the drama revolves around a family of three.

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Biennale Arte 2022 - United States of America ‘Simone Leigh: Sovereignty’

Biennale Arte 2022 - United States of America ‘Simone Leigh: Sovereignty’

Characterised by an interest in performativity and affect, Simone Leigh’s expansive body of work in sculpture, video, and performance parses the construction of Black femme subjectivity.

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Tate Britain Commission - Heather Phillipson Rapture No 1:Blowtorching The Bitten Peach
Art, Art Installation, Gallery, Tate Britain Martyn White Art, Art Installation, Gallery, Tate Britain Martyn White

Tate Britain Commission - Heather Phillipson Rapture No 1:Blowtorching The Bitten Peach

Heather Phillipson takes over the Tate Britan's grand central galleries with the latest commission titled 'Rapture No 1: Blowtorching the Bitten Peach'. Described by Phillipson as a ‘pre-post-historic environment’, the work and its title evoke an abundance of sensations and associations that resist coherence. The artist says she is attempting to ‘cultivate strangeness, and its potential to generate ecstatic experience’.

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